Light Space & Time Online Art Gallery is very extremely to announce that F.M. Kearney has been selected as one of the four artists of the gallery’s recent tenth “Solo Art Series” Art Competition.  F.M. will now have a month-long solo art exhibition and he will be featured on the gallery’s front page, in the Gallery’s YouTube Channel, as well as in the “Solo Art Series” archive.

F.M. Kearney is a professional fine art photographer based in New York City, New York and he specializes in creating pleasing and colorful florals, landscape and cityscape photography.  It is F.M.’s desire is to create colorful and vivid images that take on an Impressionist finished work with his floral works. F.M. will now be promoted by the gallery with an extensive public relations campaign.

This solo exhibition will distribute, promote and circulate press releases to over 550+ major News Outlets, Premium FOX, CBS, NBC, and Affiliated Sites, with guaranteed inclusion on Google News & Bing News and social media distribution through LST gallery’s broad social media network.

In addition, as part of his award package, F.M. will now be featured as a Light Space & Time – Artwork Archive promoted artist.   F.M.’s art will also be featured on the gallery’s YouTube Channel and with an event postcard.

The “Solo Art Series” is a series of monthly solo art exhibitions for established artists who have a body of work to present to the public.  Artist participants were asked to submit the following 3 components for the “Solo Art Series” competition; 1.  Their art.  2.  Their artist biography.  3.  Their artist statement.  These elements were evaluated and judged, which resulted in the selection of the artists who will be featured in individual month-long solo art exhibitions.  This was the tenth “Solo Art Series” Art Competition that the gallery has conducted.

Below is F.M.’s Artist Biography, his Artist Statement, along with 20 images of his cityscape photography.  We hope that you will take the time to read F.M.’s information and to take a look at his unique cityscape and landscape photography.

Artist Biography:

F.M. Kearney’s interest in photography began many years ago when his mother bought him his first camera – a Kodak Keystone 126 Instamatic (which he still owns today). Early subject matter included everything from his pet cat Dexter to various buildings and street scenes around his hometown of New York City. As he got older and his equipment got better, his interests shifted to photographing nature. He took great pleasure in capturing the colorful, natural world through his lens and enhancing it with special effect filters. His professional career began as a freelance photojournalist for a number of local newspapers, but he eventually reverted back to nature, reasoning, “You can only get so creative when shooting the news.”

His creativity – as well as his passion for bright, vivid colors – is clearly evident in much of his floral work. Some of these photographs are the products of a compilation of as many as six or seven different techniques he’s learned over the years. These techniques range from using a simple black cloth in order to help the subject stand out better; to a complex, double or triple exposure to produce soft, romantic glow around the image. He’s recently created a new collection of images that are truly unique. Through software, and a considerable amount of artistic flair, these images straddle the line between photography and Impressionist painting. The final touch is the dew drops, which take on an almost 3-D appearance.

Although the natural world may always take precedence, his interest in urban landscapes never wavered. Living in a city with some of the most iconic subjects in the world has given him virtually unlimited opportunity to capture amazing cityscapes under the best possible lighting conditions, with twilight being his favorite time of the day to shoot. The transition of natural light gradually fading from the sky as artificial lights begin to shine can transform a gritty street scene into something special. The creative inclusion of traffic light trails provides the final touch for a truly magical wonderland. As with his natural subjects, most of these images are also enhanced through a variety of special effects – usually digital in nature.

His work has been exhibited in galleries in Montreal and New York, as well as a fine art museum in Florida. He’s been published in numerous books and magazines and is currently a member of NANPA (The North American Nature Photography Association) and the columnist of their Field Techniques feature in their monthly NANPA News publication.

Artist Statement:

Ever since I can remember, I’ve always been fascinated with bright, vivid colors. As a child, the rainbow of 64 colors spilling out of a Crayola Crayon box often mesmerized me. Although I had never even heard of most of the colors, I knew their creative potential was great.

Years later, my interest in coloring shifted to photography – my interest in color, however, remained the same. For a photographer with a passion for color, nature was probably one of the most obvious choices of subject matter. Although I shoot a fair amount of landscapes, I tend to specialize in photos of flowers. Their varied shapes and colors provide endless creative possibilities.

Much of my work in photography stems from my desire to show things in different and unusual ways. Whenever I read about a new photographic technique, I always like to see how I might improve upon it by tweaking it with my own personal style. Many of my floral images are prime examples. Not only does color play a key role; some images are actually the products of a compilation of as many as six or seven different techniques. The results, I feel, are truly unique.

Why do I shoot the way I do?

When I first began my career in photography, I briefly worked as a photojournalist for various local newspapers. Frequently, I found myself staring at the darker, seamier side of life through my viewfinder. I always had a desire to focus on the beauty, and, of course, the wonderful colors of our natural world – a yearning, if you will, to illustrate the other side of the coin. I guess you could say…my photos are my way of showing that the grass really is greener on the other side.  F.M.’s website:
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